After that directors started to hire pop/rock artists to record songs for movies, such as Simon & Garfunkel in The Graduate.įinally rock groups began to write incidental music for movies (Goblin, Tangerine Dream, Pink Floyd), creating new possibilities for the soundtrack genre. Easy Rider’s soundtrack became a huge success, consisting only of pop/rock songs. After the 60s, New Hollywood directors like Martin Scorses and George Lucas incorporated pop songs into movies. Movie scores started to go in different experimental ways, there were orchestral cues, jazz cues, rock cues, bossa nova cues, pop cues, everything was possible. As time passed, jazz began to be incorporated into the genre by the likes of Quincy Jones and Lalo Schifrin, jazz musicians who brought a lot of eclecticism to soundtracks. In the 30s and 40s classical composers such as Max Steiner and Miklos Rozsa established the way soundtracks should sound. Soundtracks are often associated with classical musicians.
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